ผลต่างระหว่างรุ่นของ "จอร์โจ วาซารี"

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บรรทัด 19:
วาซารี เสียชีวิตในเมือง ฟลอเรนซ์ เมื่อวันที่ 27 มิถุนายน ปี ค.ศ.1574
 
== The ''Vite'' ==
[[image:Vite.jpg|thumb|200px|A cover of the ''Vite''.]]
As the first Italian art historian, he initiated the genre of an encyclopedia of artistic biographies that continues today. Vasari coined the term "[[Renaissance]]" (''rinascita'') in print, though an awareness of the ongoing "rebirth" in the arts had been in the air from the time of [[Leone Battista Alberti|Alberti]]. Vasari's work was first published in [[1550]], and dedicated to Grand Duke [[Cosimo I de' Medici]]. It included a valuable treatise on the technical methods employed in the arts. It was partly rewritten and enlarged in [[1568]] and provided with woodcut [[portraits]] of artists (some conjectural), entitled ''[[Le Vite delle più eccellenti pittori, scultori, ed architettori]]'' (or, in English, ''[[Lives of the Most Excellent Painters, Sculptors, and Architects]]'').
 
== ลิงค์ที่เกี่ยวกับ งานเขียนประวัติศิลปิน ของวาซารี ==
The work has a consistent and notorious bias in favour of Florentines and tends to attribute to them all the new developments in Renaissance art—for example, the invention of [[engraving]]. Venetian art in particular, let alone other parts of Europe, is systematically ignored. Between his first and second editions, Vasari visited Venice and the second edition gave more attention to Venetian art (finally including [[Titian]]) without achieving a neutral point of view.
 
Vasari's biographies are interspersed with amusing gossip. Many of his anecdotes have the ring of truth, although likely inventions. Others are generic fictions, such as the tale of young [[Giotto]] painting a fly on the surface of a painting by [[Cimabue]] that the older master repeatedly tried to brush away, a genre tale that echoes anecdotes told of the Greek painter Apelles. With a few exceptions, however, Vasari's aesthetic judgment was acute and unbiased. He did not research archives for exact dates, as modern art historians do, and naturally his biographies are most dependable for the painters of his own generation and the immediately preceding one. Modern criticism—with all the new materials opened up by research—has corrected many of his traditional dates and attributions. The work remains a classic even today, though it must be supplemented by modern critical research.
 
Vasari includes a sketch of his own biography at the end of his ''Vite'', and adds further details about himself and his family in his lives of Lazzaro Vasari and [[Francesco de' Rossi (Il Salviati)|Francesco Salviati]]. The ''Lives'' have been translated into French, German and English.
 
*[http://easyweb.easynet.co.uk/giorgio.vasari/vaspref.htm Excerpts from the ''Vite'' combined with photos of works mentioned by Vasari.]
 
== Copies of Vasari’s Lives of the Artists Online ==
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เส้น 40 ⟶ 29:
* [http://www.storiarte.altervista.org/vasarielenco.htm Gli artisti principali citati dal Vasari nelle "Vite" (elenco)]
 
== Referencesอ้างอิง ==
{{1911}}
*''The Lives of the Artists'' (Oxford World's Classics). Oxford University Press, 1998. ISBN 0-19-283410-X