ผลต่างระหว่างรุ่นของ "จอร์โจ วาซารี"

 

==ประวัติ==

 

 

In [[1529]] he visited [[Rome]] and studied the works of [[Raffaello Santi|Raphael]] and others of the Roman [[High Renaissance]]. Vasari's own [[Mannerist]] paintings were more admired in his lifetime than afterwards. He was consistently employed by patrons in the [[Medici family]] in [[Florence]] and Rome, and he worked in [[Naples]], Arezzo and other places. Many of his pictures still exist, the most important being the wall and ceiling paintings in the great Sala di Cosimo I of the [[Palazzo Vecchio]] in Florence, where he and his assistants were at work from 1555, and his uncompleted [[fresco]]es inside the vast [[cupola]] of the [[Santa Maria del Fiore|Duomo]], completed by [[Federico Zuccari]] and with the help of [[Giovanni Balducci]]. He also helped organize the decoration of the [[Studiolo of Francesco I (Palazzo Vecchio)|Studiolo]], now reassembled in the Palazzo Vecchio. He was essentially the "Dick Clark" of the Renaissance, a leader in the art world, although not so much as a renowned artist but as a director of artistic productions.